I am a multidisciplinary artist and cultural worker whose practice merges analog collage, public art, and community dialogue. My work is rooted in a deep engagement with history and the politics of representation—particularly the ways visual culture has shaped collective understandings of race, gender, and power in America. Using vintage paper and found imagery, I reassemble fragments of the past to expose and reframe the narratives that continue to shape contemporary life.
Much of my practice is socially engaged, bridging the studio and the street. I’m drawn to conversations about belonging and visibility—reflecting on how images of Black life have been both exploited and reclaimed, and how art can serve as a site of reflection and repair. My collages are proud acts of resistance, inviting viewers to look closely, question assumptions, and find connection in what’s been discarded or overlooked.
This work is both socio-political and deeply personal. Through this visual dialogue, I encourage viewers to recognize and respond to systems of oppression, embracing the transformative power of art as both personal testimony and collective catalyst.
